1 indicator of an early age -- the similarity of the axe on the image to the Abashevo axe that is closer culturally & temporally to Yamnaya. A similar axe is seen in the Federovsky idol from the Poltava region of Ukraine likely again from the Yamnaya age
Most interpreters of these images have invoked Indo-Aryan themes with an IE interpretation. We tend to agree with this though the iconographic conventions widely transcend cultures across Eurasia, as we have pointed out in several threads. Yet speculative one can point to several
parallels. 1. The male figure is shown in a vIrAsana-like pose both in Kernosovskiy and Fedrovsky images. 2. The ithyphallic nature preserved in the former suggest the IE deity of the rudra-class. 3. The Axes, the spear, bow, mace are typical of the armaments of the rudra-class.
4. The bovine & equine images are typical of the IE world. 5. The flayed skin -- probably ritual seat; 6. The square on the front side probably indicative of a ritual altar. Likewise, square & circle with trees inside them on the rear are altars related to AhavanIya& gArhapatya.
early for Turkic presence in Anatolia. The horn in the first of them suggests a shaka or related Iranic origin for these. The deer/mountain goat pattern seen in some steppe iranic images is also seen here. The artistry is somewhat more refined & weaponry clear of a later age.
There also seems to be a shift in meaning from a potential deity in the Yamnaya images to what might be a human warrior in the Hakkari images. The convention in this regard shifts closer to the balbal stones of the Mongolic &Turkic Khaganates with potential further semantic shift
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